妖女迷行第五季

《妖女迷行第五季》讲述在北美的民间故事里，淫妖是一种奇怪的生物，她们靠吸食人类的性能量来生存。Bo对自己的真实身份感到恐惧，但同时又因自己并不孤独而感到欣慰。她决定走中间路线，既不帮助同类残害人类，也不帮助人类对付同类。几个主要人物的感情线描述很细腻，Bo和Lauren在一起很养眼啊。女主是succubus，男主长得像ChrisMartin，东欧妞很吸血鬼。

台北爱船

影片改编自同名畅销小说，讲述美国华裔少女EverWong（阿什利·廖AshleyLiao饰）被父母送去台北参加“文化沉浸”夏令营，交到了新朋友，有了新的经历，也展开了一段与两个男生的三角恋。

父子神探之神秘数字

位于法租界内的爱丁堡大学在校园东南角掘井时挖出两具尸骸。巡捕房陈探长闻讯带着儿子天生出现在现场。根据尸骸构架，天生初步推断死者是一双男女；在对尸骸现场处找到的手表、耳环、戒指进行鉴定时，法医韩玲惊骇而痛苦的发现，死者中的女性竟然是自己十年前突然失踪的妈妈宋敏，另一名男性死者应该是妈妈的同事梁仲平。

3分钟先生

到了而立之年的钟世杰（郑中基 饰），他是个玩世不恭、不受束缚的花花公子，帮忙父亲打理大型连锁婚纱店。他十分重视效率，什么事都希望能在三分钟内处理好。在一次公司举办的婚纱表演中，一个小孩永言突然出口相认，叫他爸爸。由于钟世杰身边的女友如走马灯，对于孩子的母亲完全没有印象，钟世杰甚至怀疑这是个骗局。 后来经过试探，才知道原来永言的母亲已经逝世多年，永言由阿姨彩玉（应采儿 饰）照顾。采玉是一名中医师，十分痛爱永言，可是由于近年经济不景，照顾永言的担子越来越重，加上姐姐希望能永言能遇父子团聚，彩玉才决定让永言与世杰相认。世杰始终怀疑他与永言的关系，偷偷与永言验DNA，结果还没有得到之前，世杰只好得过且过。

鬼马狂想曲

阿文（刘青云 饰）是一名私家侦探，常常压榨他的两名伙计阿杰（古天乐 饰）与鸡泡（陈小春 饰）。他们从古董店里拿回了一只神灯，阿文随手把灯丢到大街上，一个名叫哈咪波波（张栢芝 饰）的女巫从灯里冒出。波波来到了阿文的侦探社，波波要他们每人说出一个愿望，实现后波波才能回到自己的世界，阿杰阿文都以为她是鸡泡的表妹。可是法术失灵，阿文他们都不相信她，她只好一直从中帮助阿文他们几个。阿文的牌局让波波的失灵法术给搅和了，并与石坚（吴镇宇 饰）结仇，石坚也认了波波的筷子姐妹花（Twins 饰）表妹做干女儿。笑话因此不断闹出。

喜剧人之冒牌杀手

影片讲述靠耍小聪明替人出头的小混混戴小龙成长为一个喜剧明星，陷入一场杀人案后身败名裂，喜剧班也随之解散，东躲西藏的戴小龙在机缘巧合之下化为杀手，浪迹于城市的各个角落，从而引发一系列爆笑故事。

快乐心心

　　《快乐心心》是上海卡通派数码科技发展有限公司斥巨资制作的中国首部以儿童社会情绪发展为主旨，以提升儿童教育为目的的原创动画片。每集11分钟半。通过快乐女孩心心的视角，用妙趣温馨的心心故事为延伸，循序递进的贯彻每集一个情商情绪点，例如自私、分享、团结、友爱等等。并以这些情绪特征为线索，通过心心及朋友们的经历，正面解读一个孩子在复杂多变的世界里需面对的种种挑战及困境，为小观众们树立榜样，通过丰富的内容吸引孩子的兴趣，激发无限潜能，培养良好的社会适应能力。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

乐队管家

Showtime正式宣布签订Cameron Crowe和J. J. Abrams的《Roadies》，本剧将在2016年播出。Winnie Holzman和Bryan Burke将担任这部音乐题材的一小时喜剧的执行制片人，本剧讲述摇滚乐队演出幕后工作人员们——也就是roadies的故事。 　　本剧原本只有半小时，但后来延长至一小时，而且自试映集播出之后本剧就成为一个强有力的竞争者，尽管过程稍艰难但一路被开绿灯。本剧早在2014年6月就被预订，试映集之后就成剧，成剧后一个主角被更换，Carla Gugino替代了Christina Hendricks。 　　本剧由Crowe创作，讲述一群在摇滚乐队演出过程中，各种幕后工作人员的生活。剧集透过音乐没有唱出的视角看待摇滚音乐世界，着墨于在美国各大舞台演出的幕后的工作人员。Pearl Jam的经纪人Kelly Cur...

高尚的你

皇室家族的皇太子李强勋，与平凡、充满个性的动物医院兽医师车允序间，像拔河般推拉的爱情故事。

郊游

小康是无用之人，在车水马龙中高举广告招牌维生，即便狂风暴雨亦屹立不摇。他举牌、点烟、尿尿，再举牌、点烟、尿尿，任车阵喧嚣从身旁呼啸而过。小康的生命中只有两个孩子，他们一起吃饭、一起刷牙、一起更衣，一起...

Shrink 精神专科弱井医生

弱井幸之助在新宿市中心的一条后巷经营一家小型精神病诊所。通过仔细聆听患者的心声、耐心面对患者的症状，弱井医生诊断出其他医生未能识别的疾病，给患者带来了希望。第一次在精神科工作的护士雨宫由里，通过不断观察弱井的工作，对精神科治疗愈发着迷。然而，雨宫并不知道弱井也有着悲惨的过去——